That depends entirely on what masters they use and whether or not a higher resolution HDR/WCG transfer is done. If they're just using AI to simulate all of this, no thanks.The Blu-rays were remarkable, but will these films benefit enough from HDR and a bit more color?
For the video quality, depends on if it is a native/newer transfer, HDR/DV, how good your TV is, along with the size and the distance you sit from it .Is the jump to 4K worth it? The Blu-rays were remarkable, but will these films benefit enough from HDR and a bit more color? Yes, they will look better, but better enough?
Since the older masters would be stereo at best, would that be where AI might be able to properly synthesize height information for Dolby Atmos?But where it can really shine, the sound quality, if a newer Dolby Atmos sound track, it is so much better than streaming
They just go back to the original masters, create a new Atmos soundtrack from the original stereo track.Since the older masters would be stereo at best, would that be where AI might be able to properly synthesize height information for Dolby Atmos?
Stereo sound wasn't featured in Bond films until some point in the Roger Moore era.They just go back to the original masters, create a new Atmos soundtrack from the original stereo track.
Again, if they can turn The Terminator's mono soundtrack into Atmos, they should not have any issues with the older Bond movies.Stereo sound wasn't featured in Bond films until some point in the Roger Moore era.
You speak as if there were no innovations in audio recording in the intervening twenty years.Again, if they can turn The Terminator's mono soundtrack into Atmos, they should not have any issues with the older Bond movies.
Definitely did not post that.You speak as if there were no innovations in audio recording in the intervening twenty years.
You seemed to be asserting that if you've heard one mono track film, you've heard them all.Definitely did not post that.
No, it is obvious I am saying, there is no reason why they cannot make a good/great Atmos soundtrack from the original tracks.You seemed to be asserting that if you've heard one mono track film, you've heard them all.
Again, we're talking about a single track; not "tracks" as you are trying to rewrite reality.No, it is obvious I am saying, there is no reason why they cannot make a good/great Atmos soundtrack from the original tracks.
Again, we're talking about a single track; not "tracks" as you are trying to rewrite reality.
How realistic is this synthesized atmos track likely to be?
How much is it likely to cost to produce such a realistic Atmos environment and would that carry enough appeal to get people to buy yet another copy of the movies? Broccocli Bond movies always had a certain level of camp and I'm not sure that throwing in modern audio and video technology is going to enhance the appeal.
Now you are attacking why they even putting a Atmos soundtrack on the discs, because sound bars are out in the world?Finally, since you're so all in on numbers, how many buyers would be able to realize the benefits of a proper Atmos encoding given the popularity of sound bars and other sub 5.2.1 sound systems. Home theaters aren't decidedly on the rise in this day and age and the upcoming generation of consumers seem to have little interest in such things in favor of handheld devices in combination with the same wireless earbuds they use to stream Apple Music or Spotify.
This goes to the appeal that such efforts would ultimately have.I personally and I would assume others, are quite happy they are doing so, I have a real Home Theater, I find sound bars absolutely terrible.
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