Hard to say. The flash with the Opera House could have been Hera, Athena, Caprica, or Laura. But it definitely looked like Hera was foreshadowing Galactica's end...Pretty good episode to set up things to come. As for Hera playing with the models... was that someones vision?
Was that the President & the Admiral smoking a bone in sick bay ? Adama closing the curtain & and taking a hit himself !!! Now that was priceless !!! I know,it was for medicinal purposes !!!
Was that the President & the Admiral smoking a bone in sick bay ? Adama closing the curtain & and taking a hit himself !!! Now that was priceless !!! I know,it was for medicinal purposes !!!
I suppose they were expecting some kind of answer to whatever major revelation or at least one to their liking. Maybe they are waiting for Anders to wake up and say 'Boo!' to everyone. So long as the major ones relating directly to this story are answered the others can stay a mystery.
There were plenty of new little things to cause questions. For example: exactly what kind of new playmates is Cavil going to get for Hera? I think that was the word he used. Is his plan to have all kind of little Hera copies running around? Since he seems to hate everything biology related it cant more kids via reproduction. Maybe he has a new class of little centurions in the works. I suppose we can also maybe rule out Kara being a cylon after Baltar examined the blood from her dead self didnt find her to be one. So ok we dont know what she is but now we know what she isnt.
I would be if I'd been instrumental in letting someone kidnap someone else's child. But it still raises the question of where he is. Also, why wasn't Athena still on the warpath trying to figure out how Boomer broke out of the brig and another Eight was in her place? It's not like the Chief was careful about his first couple of visits to see Boomer.I think Gaelen is in hiding...
I know what he's getting at. We both hold Babylon 5 as the height of Science Fiction on television and a lot of that has to due with the Vision that J. Michael Straczynski had for the show. Over the 5-year store arc, he wrote most of the episodes (two whole seasons, in fact!) and set the bar pretty damn high!No doubt I'm in the minority here, but I think that if Deadlock was bad, STWOM was much, much worse. This was self-indulgent, narcissistic soap opera twaddle, with the writers at their most self-absorbed worst. These last episodes have left me frustrated. This is what comes of farming out each episode to a different group of writers -- it doesn't seem that anyone is in real artistic control of the story arc anymore, and each group of writers gets to indulge its whims at the expense of clarity and intelligent, linear continuity.
Gosh, we're supposed to put together all these arcane, opaque little clues scattered throughout the episodes, and somehow make sense of it all? "It's the journey, not the destination" claims one of STWOM's writers in the Tribune blog. Horsefeathers! BSG fans have invested over four years in this "journey," carefully trying to track and remember all these clues and story threads because the show's creators have implicitly promised to take us to a particular, and particularly attractive, destination -- a denouement that answers all of the questions and ties together all the myriad story lines into a comprehensible, internally consistent, and ultimately satisfying conclusion.
While the "journey" so far has certainly been enjoyable, it is the anticipation of the destination that has given the journey its meaning and has compelled us to stay with it. Putting aside the fact that we haven't been getting much "sci-fi" lately in a show that aspired to be the all time sci-fi adventure, and that plot and action have taken a back seat to self-involved "internal character development" that adds little to the show, the fans still deserve better than what has often come to resemble Days of Our Lives or General Hospital lately.
My real fear is that when all is said and done, the final episodes won't answer all of the so far unanswered questions, that many compelling story threads won't be tied up satisfactorily, and especially that many of the clues planted by a host of different writers will lead either to huge inconsistencies -- or worse, simply nothing at all.
Here's one example of what I see coming:
The Final Five (FF), of whom Tigh is one, supposedly existed thousands of years ago on Earth. They died in the first human-cylon conflict, resurrected, and flew (sub-light) to the colonies, apparently to prevent history from repeating itself. Too late. But they showed the machine cylons how to make "skin jobs" in return for stopping the conflict. The FF made the 8 skin job prototypes, of whom Cavil was one. He subsequently killed the FF, boxed them, but ultimately resurrected them and programmed them with false human memories, presumably as a punishment, to teach them first hand that making cylons with human limitations and defects is a bad idea.
But we see that Tigh looked to be about 62 years old back on Earth thousands of years ago, the same age he looks now and presumably must have been after his various resurrections. Yet Adama has remarked several times throughout the show that he has known Ty for over 40 years, putting both men in their early 20's when they first met.
It is this type of internal inconsistency that just kills the show for me -- and you know it came about because when the original characters of the FF were initially conceived and written into the show, absolutely no one connected with the show had any idea a) that they would eventually turn out to be cylons, or b) where in hell the show's story arc was actually going.
Now, if you will just give me a hand off this soapbox...
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